FINAL REPORT, performative reading, as part of ‘Repair’ interdisciplinary forum, Potter Museum of Art, University of Melbourne, 2024

The Spoil Grounds, boat charter and symposium, Port of Newcastle and Pacific Ocean, Awabakal and Worimi Country and Sea Country, with contributions from Clare Britton, Jasmine Miikika Craciun, Dennis Grauel, Harun Morrison, Kenzee Patterson, jaime emily powell, Nicole Smede, Joel Sherwood Spring, and Shellie Smith, 2024

Topographies, in collaboration with Magnetic Topographies, Betchouف and Biljana Novakovic, curated by Vicky Browne, Sydney College of the Arts Galleries, 2024

Offshore Turbidities: Mist the Boat, Research Colloquium in collaboration with Harun Morrison, Critical Media Lab, Basel, Switzerland, 2023

Magnetic Topographies, ongoing collective, co-facilitated alongside Clare Britton and Kenzee Patterson. MT is an interdisciplinary working-group, bringing people together across geographies and through emplaced friendship and collective spatial practice, 2021-present

Fossil Fables, editor and designer of book, in collaboration with Global Extraction Observatory (Eduardo Kairuz and Sam Spurr), with written contributions from Bianca Hester, Andrew Brooks, Joel Sherwood Spring and Sara C. Motta, Tin Sheds, Sydney, 2023

1857, text in Ecoes_05, edited by Mirna Belina, Sonic Acts, Netherlands, 2023

To: The Tar Sands, collective roadtrip with Astrida Neimanis and Rebecca Macklin, Kelowna BC to Fort McMurray Alberta, Canada, 2023

Narrating Materialities of Excess, chapter in Fieldwork for Future Ecologies: Radical Practice for Art and Art-Based Research, edited by Bridget Crone, Sam Nightingale, and Polly Stanton, Onomatopee Press, Netherlands, 2023

Deepening the Hunter, for Quarry Pedagogies, hosted by These Are The Projects We Do Together, the Otways, 2023

GeoTourHOT22, co-facilitated with Louisa King, collective roadtrip through cultural, political, economic and contested geologies, 2022

Global Association of Divers for the Written Extension of Shorelines, for Seaport2035, edited by Harun Morrison, Stockholm, Sweden, 2022

A misdescribed amendment, performance lecture at Victorian College of the Arts, Naarm/Melbourne, 2022

Metal-logue, with Hélène Frichot, in Dimensions: Journal of Architectural Knowledge, 2022

A misdescribed amendment, in Runway: Time, edited by Joel Sherwood Spring, Sydney, 2021

To: The Underside of Ships and Maps, distributed on the occasion of 1/2 to dust, curated by Kenzee Patterson, Darren Knight Gallery, Sydney, 2021

Wiedersehen mit einem Brunnen/A Well Revisited, including co-written contributions with Harald Stäuble, Clare Britton and Kenzee Patterson, curated by Ines Bruhn, State Museum of Archaeology Chemnitz (smac), Chemnitz, Germany, 2021

Dear J, Un magazine 15.1, Surplus, edited by Snack Syndicate (Andrew Brooks and Astrid Lorange), Naarm/Melbourne, 2021

Narrating Materialities of Excess: Forge, distributed locations, 2020-2021

With mud on my shoes, independently published, London, 2020

So Far Those Edges, cover design for Thundersweet, by Katy Lewis Hood, earthbound press, EPS: Vol. 1, No. 38, 2020

Revisiting the LBK Wells, independently published, Sydney, ISBN: 978-0-9876120-3-8, 2019

Imaged in Absence, Firstdraft, Sydney, 2019

Incubating Imaginaries, co-facilitated with Saskia Schut, Illawarra, 2019

Then Presumably To Grasp, Loftus Street Project, Dulwich Hill, 2019

19 Loftus, with Carolyn Craig, Lyn Heazlewood, Kat Sawyer, independently published, Sydney, ISBN: 978-0-9876120-2-1, 2019

Revisiting the LBK Wells of Saxony, thesis submitted in fulfilment of the requirements for the degree of Master of Fine Arts, University of Sydney, 2018

A Rhythmic Pattern of Touching Hands, a Linking of Bodies and Actions, with Jacqui Shelton, in un Magazine 12.2, ISSN: 1449-6747, 2018

Petrified Wood, Lost Rocks, edited by A Published Event, Hobart, ISBN: 978-0-9953932-9-5, 2018

Fenced In/Out, for Home Ground Advantage, Sydenham, 2018

Holes [working title], Our Neon Foe, Leichardt, 2018

Holes [working title], book, Therese Keogh (ed.), independently published, Sydney, ISBN: 978-0-9876120-1-4, 2018

And Murmured, Landesamt für Archäologie Sachsen (Archaeological Heritage Office, Saxony), Großstolpen, 2017

Making room for surfaces, text by Jacqui Shelton, independently published, Sydney, 2017

Lull, with Jacqui Shelton, independently published, Naarm/Melbourne, ISBN: 978-0-9876120-0-7, 2016

Someone once told me that the secrets of the Universe are hidden in triangulation, for Immortal Flower, by Laura Carthew, Naarm/Melbourne, 2016

After Firing, book, independently published, Naarm/Melbourne, 2015

While Wading, for more politely than shaking hands progress report, by Jacqui Shelton, Naarm/Melbourne, 2015

On the Active Layer, in Will to Keep: Reader, Archive Space, Sydney, 2014

After Firing, Centre for Contemporary Photography, Collingwood, 2014

The Equatorial Arrangement: part one, Tarp Space, Ouyen, 2013

Table Restructure, Craft Victoria, Naarm/Melbourne, 2013

Between Architecture, with Vivien Hollingsworth, Tim Royall, Jacqui Shelton, The Writing Project, Adelaide, 2013

Bells Swamp, Allan’s Walk Shop 7, Bendigo, 2012

Bamboo Project, Light Projects, Northcote, 2011

Bamboo Project, book, independently published, Naarm/Melbourne, 2010