THERESE KEOGH

Therese Keogh is an artist, living and working in Sydney, Australia.

- CV

Education
2016-2018, Masters of Fine Art, Sydney College of the Arts, University of Sydney
2011, Bachelor of Fine Art Honours, Monash University (First Class Honours)
2008-2010 Bachelor of Fine Art, Monash University
2009, Semester 2, Bachelor of Fine Art, Monash University, Prato: Italy campus
2007, Brighton Bay Art, Design and Photography Program

Selected solo exhibitions
2017, and murmured, Landesamt für Archäologie, LBK well excavation, Großstolpen, Germany
2015, After Firing, Firstdraft, Sydney, NSW
2014, verge, WPG, Mildura, Vic
2013, The Equatorial Arrangement (part one), Tarp Space, Ouyen, Vic
2012, Platform Archive Project, curated by Emma Hamilton, Platform Contemporary Art Spaces, Melbourne, Vic
2012, Bell’s Swamp, Allan’s Walk Shop 7, Bendigo, Vic
2011, Beeswax Project, Light Projects, Northcote, Vic
2010, Merri Creek Project part 1 and 2, Merri Park, Northcote, Vic

Selected group/collaborative exhibitions and projects
2017, An unorthodox flow of images, curated by Pippa Milne and Naomi Cass, CCP, Fitzroy, Vic
2016, Starting Point, curated by Alice Mathieu, Kings Artist Run, Melbourne, Vic
2016, Drawing Conversations, National Art School, Sydney, NSW
2015, While Wading, for more politely than shaking hands progress report, by Jacqui Shelton, Shop 43 Royal Arcade, Melbourne, Vic
2015, It ain't over yet (it hasn't even begun), curated by Alice Mathieu, George Paton Gallery, Melbourne, Vic
2015, The Collector Series, curated by Laura Thompson in collaboration with IDES, Two by Two, Northcote, Vic
2014-2015, Through a Lens, curated by Adam Harding and Alison Eggleton, Horsham Regional Art Gallery, Horsham, Vic
2014, The Sievers Project, CCP project space, Melbourne Art Fair, Carlton, Vic
2014, Obscured, Bus Projects, Collingwood, Vic
2014, First Night on the Job, facilitated by Jeremy Eaton and Alice Mathieu, DUDSPACE and Alice's house, Melbourne/Brunswick, Vic
2014, The Sievers Project, curated by Naomi Cass and Kyla McFarlane, Centre for Contemporary Photography, Fitzroy, Vic
2014, Will to keep: reader, artist page, Archive_, Sydney, NSW
2014, Tarp West Space, curated by Jessie Lumb, West Space, Melbourne, Vic
2013, raft, curated by Spiros Panigirakis, Craft Victoria, Melbourne, Vic
2013, Eclipse (return), Articulate Project Space, Sydney, NSW
2013, Bound Apart: Photography and Publishing, Rae & Bennett Gallery, Fitzroy, Vic
2013, Between Architecture; The Writing Project, collaboration with Vivien Hollingsworth, Tim Royall and Jacqui Shelton, FELTspace, Adelaide, SA
2012, Placed, curated by Maryanne Coutts, Articulate Project Space, Sydney, NSW
2012, The Make Conversation Series – Week 4, Open Archive, Abbotsford, Vic
2011, Relay: repeat action over distance, curated by Tamsin Green, Firstdraft, Surry Hills, NSW
2011, (dis-)array – artists as independent publishers, facilitated by Brad Haylock, Light Projects, Northcote, Vic
2011, 3SQUARE, with Beth Arnold, Brooke Fenner, facilitated by Terri Bird, Conical, Fitzroy, Vic
2010, a series of reactions, collaboration with Brooke Fenner, Runt space, Caulfield, Vic
2010, Instant Network, facilitated by Ardi Gunawan, Guilford Lane Gallery, Melbourne, Vic
2009, in process, with Tess Healy and Brooke Fenner, Runt space, Caulfield, Vic

Residencies/Workshops
2017, Ergersheimer Experimente, Ergersheim, Germany
2016-17, Landesamt für Archäologie, Saxony, Germany
2013, Karringal Contracting, Vic
2012, National Art School, NSW

Awards/scholarships/grants
2017, Dorothy Cameron Fellowship, University of Sydney
2017, David Harold Tribe Sculpture Award, Finalist
2016, PRSS, University of Sydney
2016, Dorothy Cameron Fellowship, University of Sydney
2016 onwards, Australian Postgraduate Award, Sydney College of the Arts, University of Sydney
2014, Early Career Artist Commission, Centre for Contemporary Photography and Australia Council for the Arts
2013, Claypro Australia, material sponsorship
2013, Artstart Grant, Australia Council for the Arts
2013, Creative Young Stars Grant, Australian Government
2011, Monash Vice Chancellor’s Honours-PhD Scholarship
2010, ADFAS Award for Drawing
2009, Monash Abroad Travel Grant
2007, Award for Excellence in Drawing, BBADPP

Writing/publications: about
2017, Making room for surfaces, response to studio practice, Jacqui Shelton
2017, Australierin stellt Kunst zum GroitzscherSteinzeit-Brunnen vor, review in Leipziger Volkszeitung
2016, Registering Surfaces, Excavating Inheritances, Deleuze Studies Journal, volume ten, Terri Bird, Edinburgh University Press
2014,
Review: The Melbourne Art Fair, Ocula, Pip Wallis
2014, History Under Fire, Southern Perspectives, Kevin Murray
2014, Artists view Sievers' work through a new lens, The Age, Dylan Rainforth
2014, The Sievers Project explores the transfer of influence, ArtsHub, Gina Fairley
2014, Past Master: The Sievers Project, Art Guide Australia, Ray Edgar
2014, Showing Spaces on Land, Sunraysia Daily
2013, Tarp-ossibilities in Mint Magazine, Jessie Lumb
2013, raft, exhibition catalogue for exhibition at Craft Victoria, Spiros Panigirakis
2013, Eclipse (return): Open Gallery, Sydney Morning Herald, Michael Fitzgerald
2013, The Writing Project in The Curatorial Inquisitorial, Serena Wong
2012, Bell's Swamp Periphery Walk in Together Where We Inhabit, Laura Carthew
2012, Light Projects 2009-2012, Eyeline, David Wlazlo
2011, Relay: repeat action over distance, catalogue essay for exhibition at Firstdraft, Tamsin Green
2011, Create, Collaborate, Exhibit, Cultural Critic, Ariele Hoffman
2011, 3SQUARE, catalogue essay for exhibition at Conical, Rebecca Coates

Writing/publications: by
2016, Lull, independent publication, co-written with Jacqui Shelton, Melbourne
2016, Someone once told me that the secrets of the Universe are hidden in triangulation, written contribution to Immortal Flower, solo exhibition by Laura Carthew, Melbourne
2015, While Wading, for more politely than shaking hands progress report, by Jacqui Shelton, Melbourne
2014, On The Active Layer, Will to keep reader, edited by Lisa Sammut, Archive space, Sydney
2013, Light Turns Corners, The Curious Other, edited by Nikki Lam, Melbourne
2013, Between Architecture: Reader, in collaboration with Jacqui Shelton, Vivien Hollingsworth, and Tim Royall, as part of The Writing Project, Adelaide
2012, Platform Archive Project, edited by Emma Hamilton, Melbourne
2011, Boundaries of Bell's Swamp, independent publication, Melbourne
2011, the mind of itself and the world, edited by Brooke Fenner, Melbourne
2010, Bamboo Project, independent publication, Melbourne

Forums/lectures
2017, Rivers and a Well, panel presentation as part of AAANZ conference, co-presenting with Clare Britton and Kenzee Patterson, Art and its Directions, Perth
2015, Critical Methods, lecture by Tamsin Green as part of AAANZ conference, Image Space Body, Brisbane
2015, After Firing, NAS art forum, National Art School, Sydney
2014, forming, lecture by Terri Bird as part of Practicing: a series of seminars exploring the writings of Deleuze, West Space, Melbourne

Positions held
2016-2017, Drawing lecturer, National Art School, Sydney
2011-2016, Studio assistant to Raafat Ishak, Kathy Temin, Nusra Latif Qureshi, and Peter Kennedy
2014, Project assistant to Spiros Panigirakis for 'Moorabbin', as part of the Melbourne Prize for Urban Sculpture
2011-2014, Research assistant to Bridget Crone for ‘The Cinemas Project’
2014, Project assistant to Tom Nicholson for 'Indefinite substitution'
2012 and 2014, Acting Program Coordinator at Platform Contemporary Art Spaces
2011, Student representative for the Social Equity Committee, Monash University Faculty of Art and Design
2010, Volunteer at Light Projects and Kings ARI
2010, Committee member at RUNTspace